RCF HDL 6-A
Professional music gear - detailed information and where to buy
RCF
HDL 6-A
Product Info
* Prices may vary. Check retailer for current pricing and availability.
The HDL 6-A is a serious line array module delivering impressive power and clarity. It’s perfect for smaller to mid-sized stages, corporate events, and bands needing focused sound reinforcement—just be prepared for a bit of heft. The DSP offers flexibility, but might require some tweaking to dial in the perfect sound.
Product Description
- RCF HDL 6-A
- Line Array Module
- Equipped with: 2 x 6" RCF woofer with 2" voice coil
- 1" RCF high-frequency driver with 1.75" voice coil
- Digital Bi-Amped including DSP
- Power: 1400 W / PRG
- 700 W / RMS
- Max. SPL (sound pressure level): 131 dB
- Frequency range: 65 Hz - 20 KHz (+/-3dB)
- X-Over @ 800 Hz
- Coverage pattern: 100° x 10° (one module)
- Angle can be adjusted from 0° - 10° in 2° increments
- Stand adapter and rigging frame optional
- Dimensions: 237 x 470 x 377 mm
- Weight: 11.5 kg
PROS
- • Excellent clarity and headroom thanks to the digital bi-amp design
- • RCF's woofer construction delivers tight, controlled low-end response
- • The adjustable waveguide offers precise coverage control for various venues
- • Robust build quality; feels solid and ready for demanding touring applications
CONS
- • Vertical coverage is limited to 10° per module, requiring more modules for wider throws
- • Weight makes handling and transport a two-person job, especially when rigged
- • DSP presets may require tweaking for optimal performance in different environments
Product Video
Key Features
Power (Watts)
1400 / 700
Drivers
2 x 6 in woofer, 1 in HF driver
Frequency Range
65 Hz - 20 KHz
Max SPL
131 dB
Rigging
Optional stand adapter and rigging frame
Weight
11.5 kg
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Frequently Asked Questions
It's a strong performer, offering a comparable sonic profile, but often at a more accessible price point; expect a slightly less refined, but still very capable, sound.
At 30 feet, you'll likely see around 115-120 dB, depending on the content and room acoustics; it's plenty loud for most applications.
For a theater, you’ll almost certainly need multiple modules to achieve adequate vertical coverage and prevent sound bleed onto the stage; it's best suited for situations where a narrow beam is desirable.
