Mooer Ocean Machine II Delay/ Reverb
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Mooer
Ocean Machine II Delay/ Reverb
Product Info
Article Number:
600270
Brand:
Mooer
Model:
Ocean Machine II Delay/ Reverb
Category:
Delay/Echo Pedals
Price:
$295.90
* Prices may vary. Check retailer for current pricing and availability.
The Ocean Machine II is a surprisingly deep and versatile delay/reverb pedal, especially considering its size. It’s fantastic for anyone wanting to explore Devin Townsend’s signature sound, or just needs a powerful, multi-faceted time-based effect for progressive rock, ambient, or experimental music. The dual-module design really opens up creative possibilities.
Product Description
- Mooer Ocean Machine II Delay/ Reverb
- Effect Pedal for Electric Guitar
- Devin Townsend Signature Model
- Two separate delay modules with 9 different delay types for each module
- Fifteen delay types in total
- 0-2.000 ms delay time
- Ping Pong effect
- Nine different reverb types and shimmer effect
- Programmable parallel / serial effect chain with free choice of effect sequence
- Freeze function
- Tap tempo function
- Looper with up to 120 seconds recording time
- Customisable global EQ settings plus adjustable input and output levels
- True bypass or DSP bypass (buffered)
- Two operating modes: Play mode for quick parameter editing and Patch mode for quick selection of presets
- Eight banks each with up to three presets
- Updated MIDI function with clock sync to synchronise the pedal with other MIDI devices
- Reverb section controls for Pre-Dly
- Decay
- Tone and R. Mix
- Reverb rotary control for selecting between the reverb modes: Room / Hall / Plate / Dist-Verb / FL-Verb / Filter / Reverse / Spring / Mo
- Delay A section control für Feedback A
- Time A
- Sweep A and DlyMix A
- Delay A rotary control for selecting between the Delay A modes: Digital / Analogue / Tape / Echo / Liquid / Rainbow / Crystal / Low-Bit / Fuzzy
- Delay B section Controls for Feedback B
- Time B
- Sweep B and DlyMix B
- Delay B rotary control for selecting between the Delay B modes: Digital / Analogue / Tape / Real / Dyna / Galaxy / Mod / Try-Mod / Mod-Inv
- Reverb footswitch
- Delay A footswitch
- Delay B footswitch
- Support for external control with a wireless footswitch from the MOOER F4 series
- Control buttons for Home
- Setting
- Store and Looper
- Menu rotary button for navigating the preset menu
- Status LEDs
- Metal housing
- 6.3 mm mono jack L/R inputs
- 6.3 mm mono jack L/R outputs
- MIDI in
- MIDI thru
- 6.3 mm TRS expression input
- USB Type-C port
- Power supply via included 9V DC power supply 2.1 mm x 5.5 mm barrel connector
- centre negative
- Power consumption: 500 mA
- Dimensions (L x W x H): 215 x 127 x 56 mm
- Weight: 1100 g
*Note:* No battery operation possible
PROS
- • Devin Townsend's signature soundscapes are genuinely achievable.
- • Dual delay modules offer incredible sonic flexibility and layering.
- • Freeze function adds ethereal textures and creative possibilities.
- • Looper provides a solid foundation for practice and live performance.
CONS
- • Plastic enclosure feels less robust than higher-end metal stompboxes.
- • Menu diving can be a bit cumbersome for quick parameter adjustments.
- • Reverb algorithms, while varied, lack the depth of dedicated units.
Product Video
Key Features
Delay Type
9 distinct delay types per module (18 total), including Tape, Digital, Analog, Modulated, and Reverse.
Max Delay Time
2000ms (2 seconds) across both modules, allowing for significant time-based effects.
Controls
Knobs for Time, Feedback, Level, and Mix for each module; additional controls for Reverb, Freeze, and Looper functions; footswitches for effect selection and bypass.
Tap Tempo
Dedicated footswitch allows for instant tempo synchronization of delay times.
Bypass Type
True bypass for preserving signal integrity when inactive; DSP bypass for buffered signal when engaged.
Power Supply
9V DC power supply (center negative) – standard pedal power adapter required.
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Frequently Asked Questions
Parallel puts the delay/reverb in parallel with the dry signal; serial chains them, creating a more complex, processed sound – both offer unique tonal options.
It's a solid MIDI clock sync, but lacks deep parameter MIDI control – good for tempo syncing, not nuanced effect tweaking remotely.
The looper is fairly transparent, but a slight digital sheen is noticeable, especially at higher recording levels – it’s good for basic loops, not pristine archival quality.
