Mackie Thump 212

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Mackie Thump 212

Mackie

Thump 212

4.8 Expert Rating

Product Info

Article Number: 564574
Brand: Mackie
Model: Thump 212
Price: $416.90

* Prices may vary. Check retailer for current pricing and availability.

The Mackie Thump 212 is a solid, affordable workhorse speaker. It's perfect for smaller bands, DJs, or anyone needing portable PA for gigs or events – the built-in monitor angle is a huge convenience. Just don't expect earth-shattering low-end; it's more about clean projection than deep rumble.

Product Description

  • Mackie Thump 212
  • Active Full-Range Speaker
  • 12" High-performance woofer and 1" polymer compression driver
  • Power: 1400 W Class-D
  • Maximum level: 128 dB
  • Frequency range: 47 Hz - 23 kHz
  • Dispersion angle: 90° x 60°
  • Built-in feedback eliminator
  • Music ducking: automatically reduces level on channel 2 when channel 1 receives signal
  • Channel 1 with XLR/TRS combo input for microphone and line signals
  • Channel 2 with XLR/TRS combo line input and stereo mini jack
  • Thru output with mix of both channels
  • Road-ready construction
  • Angled on both sides for use as stage monitor
  • Suitable for standard stands
  • Dimensions: 615 x 359 x 355 mm
  • Weight: 13.2 kg
  • Colour: Black
PROS
  • • Robust Class-D amplification delivers surprising headroom and clean power.
  • • The angled design is genuinely useful as a stage monitor, well-thought-out.
  • • Feedback eliminator works surprisingly well in live, challenging environments.
  • • Polymer compression driver provides clear highs without excessive harshness.
CONS
  • • The low-end extension, while adequate, lacks the deep thump of higher-end speakers.
  • • Road-ready build feels a bit plasticky; not quite as durable as some competitors.
  • • Music ducking feature can be a bit clunky and requires careful adjustment.

Product Video

Key Features

Power (Watts) 1400
Woofer Size 12"
Frequency Range 47 Hz - 23 kHz
Max SPL 128 dB
Connections XLR/TRS Combo, Stereo Mini Jack, Thru Output
Weight 13.2 kg

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Frequently Asked Questions

It's surprisingly effective, but it's not a magic bullet; careful gain staging and placement are still key for avoiding feedback.
While usable, the colorations in the EQ aren't ideal for critical recording; it’s better suited for live reinforcement than studio work.
It holds its own; it’s certainly loud enough for most small to medium-sized venues, though louder options exist at a premium price point.

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