Mackie Thump 115s
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Mackie
Thump 115s
Product Info
* Prices may vary. Check retailer for current pricing and availability.
The Thump 115s is a serious contender for bands and DJs needing powerful, portable bass reinforcement. Its compact size belies its impressive low-end punch, making it ideal for smaller to mid-sized venues where you need to move some serious air. Just be aware you'll need to pair it with full-range speakers for a complete sound.
Product Description
- Mackie Thump 115s
- Active 15'' bandpass high-performance woofer
- Power: 1400 W Class-D
- Maximum sound pressure level: 131 dB
- Frequency range: 36 - 180 Hz
- Road-ready construction
- Stereo inputs and outputs: XLR
- Full-range and high-pass outputs
- Variable crossover
- 4 Voicing Modi: Flat
- Deep
- Punch
- Variable
- Stereo or mono sum for use with one or two subwoofers
- Volume control from -6dBU to +6dBU
- Polarity reversal switch
- Front LED on/off
- Integrated M20 flange
- Dimensions: 470 x 457 x 584 mm
- Weight: 24.7 kg
- Colour: Black
PROS
- • The bandpass design delivers surprisingly deep, impactful low-end for its size.
- • Class-D amplification provides efficient power and minimizes heat buildup during extended use.
- • Road-ready construction with a robust enclosure handles gigging and transport well.
- • Multiple voicing modes offer flexibility for different music genres and system configurations.
CONS
- • The 131dB max SPL, while impressive, can be overwhelming in smaller spaces.
- • Limited frequency response above 180Hz necessitates pairing with full-range speakers.
- • The weight (24.7kg) makes it less ideal for solo performers or frequent travel.
Product Video
Key Features
Power (Watts)
1400
Woofer Size
15"
Frequency Range
36 - 180 Hz
Max SPL
131 dB
Crossover
Variable
Weight
24.7 kg
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Frequently Asked Questions
The 'Deep' mode boosts the low frequencies further, adding more rumble and sub-bass, but can muddy the mix if not used carefully.
Yes, the stereo/mono sum switch allows for either stereo imaging or combined power for even more bass – just ensure proper polarity alignment.
Yes, the XLR inputs are balanced, allowing for longer cable runs with less noise; they accept standard mic or line-level signals, typically -6dBU to +6dBU.
