Ibanez SDGB1-DMT
Professional music gear - detailed information and where to buy
Ibanez
SDGB1-DMT
Product Info
* Prices may vary. Check retailer for current pricing and availability.
Steve Di Giorgio's signature fretless is a serious instrument, blending fantastic materials with Nordstrand's signature tone. The active electronics and fretless design are perfect for progressive metal, fusion, or anyone seeking a uniquely expressive bass voice – but be prepared to dedicate time to mastering the fretless technique.
Product Description
- Ibanez SDGB1-DMT
- Fretless 5-String Electric Bass
- Fretless
- Steve Di Giorgio (Testament) Signature Model
- Body: Okume / Ash
- Top: Flamed maple
- 9-Piece neck-thru-body: Maple / bubinga / panga panga
- Fingerboard: Ebony
- Neck profile: SDGB
- Pickups: 2 Nordstrand Big Single
- Active electronics
- Vari-Mid 3-Band EQ
- Hardware: Cosmo Black
- Colour: Dark Moss Burst
PROS
- • Okume/Ash body offers a balanced, resonant tone with good sustain.
- • Nordstrand Big Single pickups deliver articulate, powerful, and nuanced sound.
- • The SDGB neck profile is exceptionally comfortable for extended playing sessions.
- • Ebony fingerboard provides a slick, fast feel and excellent note definition.
CONS
- • The 9-piece neck-thru design likely contributes to a heavier overall instrument.
- • Active electronics necessitate a power source, limiting versatility without amplification.
- • Fretless learning curve can be steep for players unfamiliar with the technique.
Product Video
Key Features
Body Material
Okume / Ash
Neck Material
Maple / Bubinga / Panga Panga
Fingerboard
Ebony
Pickups
Nordstrand Big Single (Active)
Scale Length
34 inches
Frets
Fretless
Strings
5-String
Weight
Approximately 11.5 lbs
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Frequently Asked Questions
The Vari-Mid allows for precise mid-range sculpting, offering a wider range of tonal possibilities and more targeted shaping of the bass’s character.
The SDGB profile is noticeably thinner and more contoured than many Ibanez designs, offering a more ergonomic feel and potentially faster playing, particularly for players with smaller hands.
While playable, slapping and tapping will produce a more muted and less defined sound than on a fretted bass, requiring a nuanced touch to achieve desired results.
