Harley Benton D-SEED

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Harley Benton D-SEED

Harley Benton

D-SEED

4.7 Expert Rating

Product Info

Article Number: 318119
Model: D-SEED
Price: $71.50

* Prices may vary. Check retailer for current pricing and availability.

The D-SEED is a seriously impressive budget-friendly delay. It’s perfect for players wanting a wide range of delay tones without spending a fortune—from clean repeats to swirling modulated textures. Don't expect high-end build quality, but the sound and features punch way above its weight.

Product Description

  • Harley Benton D-SEED
  • Delay
  • Controlls: Mix
  • Mode
  • Time & Feedback
  • Tap Tempo function
  • Two channels with separately selectable delay time
  • Delay time via time control: 17 - 1000 ms
  • Maximum delay time via TAP tempo function: 6 s
  • Dimensions: 105 x 97 x 48 mm
  • Power consumption: 75 mA
  • No battery operation possible - power supply only with mains adapter (e.g. Art. #409939# - not included)

*Modes*, Copy: Sound of the instrument is not affected, Analogue: Warm, analogue sound, Modulation: Modulated sound with plenty of space, Reverse: Reversed delay

PROS
  • • Versatile delay modes offer a surprising range of sonic textures.
  • • Tap tempo functionality is genuinely usable and adds rhythmic flexibility.
  • • Small footprint saves precious pedalboard real estate.
  • • The analogue mode delivers a warm, subtle character that's surprisingly pleasing.
CONS
  • • Plastic enclosure feels a bit flimsy, lacks the robustness of metal options.
  • • Limited control range on the time knob can feel restrictive at times.
  • • No battery operation necessitates a power supply, adding to setup complexity.

Product Video

Key Features

Delay Type Digital with analogue-voiced modes
Max Delay Time 6 s (via Tap Tempo)
Controls Mix, Mode, Time, Feedback
Tap Tempo Yes
Bypass Type True Bypass
Power Supply 9V DC, 75mA (adapter not included)

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Frequently Asked Questions

The 'Analogue' mode attempts to emulate the warmth and subtle imperfections of vintage analogue delay circuits, softening the digital edge with added harmonic richness.
It's surprisingly accurate, though not as precise as high-end tap tempo implementations; it’s generally reliable for rhythmic subdivisions.
It works well with bass, but the short maximum delay time might limit its usefulness for long, drawn-out bass delays; it's best suited for shorter, rhythmic repeats.

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