Hammond M-solo Burgundy
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Hammond
M-solo Burgundy
Product Info
Article Number:
578395
Brand:
Hammond
Model:
M-solo Burgundy
Category:
Electric Organs
Price:
$1,296.90
* Prices may vary. Check retailer for current pricing and availability.
The M-Solo Burgundy is a surprisingly capable entry point into the world of Hammond organ. It's ideal for gigging musicians needing a portable, versatile solution or home players wanting that classic organ sound without the bulk and complexity of a full-sized instrument. While it has limitations, the core B-3 sound is really well done.
Product Description
- Hammond M-solo Burgundy
- Synthesiser Organ
- Velocity-sensitive 4 octaves (49 keys) keyboard
- Virtual multi-contact keyboard
- 6 Sound Sections: B-3
- Farfisa
- ACE-Tone
- Ensemble
- Synthesiser
- Synthesiser section with 2 oscillators
- low-pass filter with envelope and VCA envelope
- Virtual Leslie effect
- Vibrato
- chorus and percussion
- Overdrive
- Delay / Reverb
- Expression pedal input: 6.3 mm
- Leslie footswitch input: 6.3 mm
- Headphone output: 6.3 mm jack
- Aux input: 3.5 mm with volume control
- Mono / stereo outputs: 6.3 mm
- MIDI in/out
- USB host MIDI
- Dimensions (W x D x H): 731 x 274 x 85 mm
- Weight: 3.6 kg
PROS
- • Excellent B-3 emulation captures classic Hammond warmth and grit.
- • Compact design and lightweight build facilitate easy transport and setup.
- • Synthesizer section adds unexpected sonic textures and versatility.
- • Virtual Leslie effect convincingly replicates rotating speaker ambiance.
CONS
- • 49-key keyboard limits complex voicings and bass lines.
- • Aux input is a less-than-ideal 3.5mm jack – feels flimsy.
- • Synthesizer section’s filter lacks the depth of dedicated synths.
Product Video
Key Features
Keys
49, velocity-sensitive
Manuals
Digital (downloadable)
Drawbars
None – sound selection via menus
Effects
Virtual Leslie, Vibrato, Chorus, Percussion, Overdrive, Delay/Reverb
Speakers
None – headphone output only
Weight
3.6 kg
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Frequently Asked Questions
It's a commendable emulation, capturing the swirling character, but lacks the dynamic response and low-end extension of a physical Leslie.
Yes, it has a standard 6.3mm expression pedal input, allowing for authentic volume control and dynamic performance.
It’s a fun addition for adding pads and textures, though its limited filter and oscillator options make it best suited for simple sound design, not complex synthesis.
