Behringer Spring Reverberation 646
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Behringer
Spring Reverberation 646
Product Info
Article Number:
585341
Brand:
Behringer
Model:
Spring Reverberation 646
Category:
Reverb Pedals
Price:
$190.30
* Prices may vary. Check retailer for current pricing and availability.
The Behringer 646 delivers a remarkably authentic spring reverb sound for the price. It's a great option for guitarists and bassists wanting that classic, slightly unpredictable ambience, especially those experimenting with modular setups. While not a replacement for a vintage tank, it’s a fun and affordable way to add some character to your signal.
Product Description
- Behringer Spring Reverberation 646
- Analogue Spring Reverb
- Controls for reverb rate (effect level)
- aux channel (line preamp) and mic channel (microphone preamp)
- Overload display
- Balanced and unbalanced microphone input: each as 3.5 mm jack and 6.3 mm jack
- 2x Line inputs: 3.5 mm and 6.3 mm jack
- Footswitch connection and line output: each as 3.5 mm jack and 6.3 mm jack
- Can be used as a Eurorack module - Width: 72 HP
- Dimensions: (W x D x H): 374 x 136 x 86 mm
- Weight: 1.58 kg
- Incl. power supply unit (12V DC2
- 1.0A)
PROS
- • Surprisingly convincing spring reverb emulation, captures the characteristic 'boing'.
- • Flexible input options (3.5mm & 6.3mm jacks) cater to diverse signal sources.
- • Eurorack module format offers integration for modular synth enthusiasts.
- • Aux and mic preamps add versatility beyond a standard reverb pedal.
CONS
- • Plastic enclosure feels a bit flimsy compared to higher-end spring units.
- • Limited control over decay time; rate is the primary shaping parameter.
- • Smaller jack sizes (3.5mm) might require adapters for some setups.
Product Video
Key Features
Reverb Type
Analogue Spring Reverb Emulation
Controls
Reverb Rate (Effect Level), Aux Channel Preamp, Mic Channel Preamp
Presets
None (fully manual control)
Bypass Type
True Bypass
Stereo
No (Mono Output)
Power Supply
12V DC, 1.0A (included)
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Frequently Asked Questions
The mic preamp is functional for basic recording, but lacks the headroom and clean gain of a dedicated preamp – best for practice or casual recording.
While you could experiment with external modulation sources, the unit itself doesn't have built-in modulation capabilities for a Leslie-like effect.
It's a helpful visual cue to prevent overly saturated, muddy reverb tones, but requires careful monitoring to avoid clipping.
