Behringer PMP 500
Professional music gear - detailed information and where to buy
Behringer
PMP 500
Product Info
* Prices may vary. Check retailer for current pricing and availability.
The PMP500 is a surprisingly capable little mixer. It's a great option for solo artists, duos, or small bands needing a self-contained PA system for rehearsals or low-key gigs. The effects are a nice bonus, and the build is decent for the price, making it a solid value.
Product Description
- Behringer PMP500
- Power Mixer
- 12 Channels: 6 mono / 2 stereo or 4 mono / 4 stereo
- Power: 125W/8 Ohm
- Klark Teknik multi-effects processor with LCD Display
- Parameter setting and tap function
- FBQ Feedback detection system
- 6 Mic preamps with switchable 48V phantom power
- 3-Band EQ with low cut filter and clip LED for each mono channel
- Switchable pad
- Stereo 7-band EQ for master and monitor
- Adjustable AUX input
- Internal power adapter
- Weight: 6.3 kg
- Dimensions (H x W x D): 122 x 390 x 425 mm
PROS
- • Klark Teknik effects provide surprisingly usable sonic textures.
- • Compact size makes it ideal for smaller gigs and mobile setups.
- • Solid build quality for its price point; feels more robust than expected.
- • Six preamps offer decent gain and usable headroom for live vocals.
CONS
- • EQ isn't the most refined; lacks precision for critical mixing.
- • Limited routing options restrict flexibility for complex setups.
- • Power output is adequate but struggles with larger venues or loud bands.
Product Video
Key Features
Power (Watts)
125W/8 Ohm
Channels
12 (6 mono / 2 stereo or 4 mono / 4 stereo)
Effects
Klark Teknik multi-effects processor with LCD Display
Speaker Outputs
Stereo (main), Monitor
Phantom Power
48V
Weight
6.3 kg
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Frequently Asked Questions
It's a good starting point, offering a range of usable effects, but don’t expect boutique-level quality. It’s fine for adding some ambience or basic effects to vocals or instruments.
It's a helpful feature, but it can be overly sensitive in very loud or reverberant spaces, producing false positives. Fine-tuning the mic placement and gain structure is still essential.
While you can connect it to a computer, the preamps aren't designed for pristine studio recording; they’re geared toward live performance. It's adequate for demos but not a replacement for a dedicated audio interface.
