Beetronics Zzombee
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Beetronics
Zzombee
Product Info
* Prices may vary. Check retailer for current pricing and availability.
The Zzombee is a wonderfully weird and versatile 'multi-effect' that’s really a filter-focused distortion pedal at its core. It’s perfect for experimental guitarists, synth players, or anyone seeking truly unique, evolving textures – think early psychedelic rock meets modern sound design. Just be prepared to spend some time digging into its intricacies.
Product Description
- Beetronics Zzombee
- Effect Pedal
- Analogue filter emulator "multi-effect" pedal with digital control
- Filter
- randomised filter
- cross-tremolo
- tremolo
- swell
- overdrive
- fuzz
- low-octave and more
- Monophonic low octave runs parallel to the instrument signal
- Signal can be controlled from dry to fuzz in 4 gain levels
- Possibility to mix the instrument signal with the low octave via "Bee" and "Parasite" controls
- 3 Modes for filter modulation: Ramp / LFO / "MAD" (random patterns)
- 3 Modes of amplitude modulation: cross tremolo / traditional tremolo / volume swell
- Filter and amplitude modulation can be assigned to both instrument and low-octave signals
- "Momentary" function controls ramping and modulation via footswitch
- Cross ("X") - tremolo alternates between fundamental and low octave
- Tap tempo with sub-divisions
- Maximum flexibility thanks to digital control: "ALT" function for second parameter level
- Traditional
- as well as very experimental sounds
- can be created
- Perfect for bass and keys
- Switchable between live and preset mode
- 5 storable presets
- Controls: Parasite
- Wingspan
- Switches for mode
- buzz level
- filter router
- preset
- Footswitch for bypass/alt
- ramp/rate/tap
- LEDs for bypass and rate speed
- Input: 6.3 mm mono jack
- Output: 6.3 mm mono jack
- Connection for expression pedal
- tap tempo and CV control: 6.3 mm jack (TRS)
- Mains adapter connection: Hollow female plug 5.5 x 2.1 mm (negative pole inside)
- Power supply via 9 V DC mains adapter (not included)
- Power consumption: minimum 100 mA
- Designed and manufactured in California USA
PROS
- • Unique filter emulations offer a truly distinctive, psychedelic sonic palette.
- • The 'MAD' mode provides unpredictable, evolving textures for experimental soundscapes.
- • Parallel low-octave signal adds considerable depth and thickness to the core tone.
- • Momentary footswitch unlocks expressive, real-time modulation manipulation.
CONS
- • The sheer number of options can feel overwhelming for beginners; steep learning curve.
- • Analog filter emulation, while unique, isn't a substitute for a true vintage filter.
- • The compact size may prove awkward for players with larger feet or limited pedalboard space.
Product Video
Key Features
Distortion Type
Overdrive/Fuzz with Analog Filter Emulation
Controls
Gain (4 levels), Bee (low-octave mix), Parasite (low-octave tone), Filter Frequency, Filter Resonance, LFO Rate, Tremolo Rate, Filter Mode (Ramp/LFO/MAD), Amplitude Mode (Cross/Trem/Swell), Momentary Switch
Bypass Type
True Bypass
Power Supply
9V DC Center Negative (2.1mm barrel jack - not included)
Connections
Input, Output, Expression Pedal Input, MIDI In/Out, Thru
Dimensions
4.75” x 2.5” x 2.25”
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Frequently Asked Questions
The 'Bee' control blends the low-octave signal with the dry signal, adding significant thickness and warmth, but can quickly muddy things if overused.
While it accepts an expression pedal, it only controls the filter frequency, requiring careful mapping and potentially limiting its versatility compared to full MIDI control.
The 'MAD' mode generates completely random filter patterns, offering unpredictable and evolving textures, unlike the more rhythmic and controlled LFO mode.
