Ampeg SCR-DI
Professional music gear - detailed information and where to buy
Ampeg
SCR-DI
Product Info
* Prices may vary. Check retailer for current pricing and availability.
The SCR-DI is a clever little box for bassists wanting that iconic Ampeg growl without the massive head. It’s ideal for gigging bassists needing a reliable DI and a touch of grit, or studio players wanting to quickly dial in classic Ampeg sounds – it's a surprisingly versatile and affordable option.
Product Description
- Ampeg SCR DI
- DI-Box with Overdrive for Bass
- The footswitchable Ampeg preamp offers a wide selection of authentic Ampeg sounds
- from smooth Portaflex up to harmonically-rich SVT
- Real distorted SVT tone
- Controls (Scrambler): Drive and Blend
- Controls (pre-amp): Volume
- Bass
- Treble and AUX Level
- Ultra Lo and Ultra Hi switch
- AUX input (6.3 mm & 2.5 mm jack)
- Balanced XLR line output with ground lift
- Output jack
- Thru jack output (unprocessed)
- Headphone output
- Power supply: 9V battery or 9 - 12V DC power supply (not included)
- Current consumption: 100 mA
- Dimensions (W x H x D): 193 x 56 x 110 mm
- Weight: Approx. 1.2 kg
PROS
- • Authentic Ampeg tones from Portaflex to SVT, remarkably versatile.
- • Compact design allows for easy portability and stage integration.
- • The Scrambler circuit delivers a surprisingly aggressive, usable overdrive.
- • Balanced XLR DI output provides clean, professional signal for recording or live sound.
CONS
- • Power supply not included; adds to the initial investment.
- • Limited EQ control compared to full Ampeg amp heads.
- • The AUX input's functionality is somewhat basic, lacking advanced mixing options.
Product Video
Key Features
Channels
2 (Clean/Overdrive)
Preamp Type
Solid State Modeling
EQ Bands
3-band (Bass, Mid, Treble)
DI Output
Balanced XLR with Ground Lift
Effects
Overdrive (Scrambler)
Weight
1.2 kg
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Frequently Asked Questions
The Scrambler is more of a gritty, harmonically-rich overdrive than a full-blown distortion; it adds character and warmth, rather than extreme fuzz.
While primarily designed for bass, it can work with other instruments, but the preamp voicing is optimized for bass frequencies and low-end response.
It's functional, but limited; it’s best for simple backing tracks or pads rather than complex layered sounds.
