AudioFu Chart · November 2026
Best Hanging Cymbals for Intermediate 2026
The top pick is Istanbul Agop 18" Traditional Thin Crash ($378). Istanbul Agop 16" Traditional Thin Crash gives you the most for the money at $307. Ranked by the AudioFu Index from 41 models across 5 brands, prices checked every night.
Last updated: November 7, 2026
Top 10
Full detail for the 10 highest AudioFu Index scores. Every other model is listed below.
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- Size18"
- Weight1.2 kg
This is a thin crash from the Traditional series, made from B20 bronze and hand-hammered. Its sound is dark, deep and soft, so it suits you if you want a gentle, mellow crash rather than a loud, sharp one. It fits well in orchestral or hanging cymbal settings where that softer character is what you need.
Pros
- Made from B20 bronze, a classic cymbal alloy
- Hand-hammered, so each cymbal has its own surface finish
- Part of the Traditional series, a thin crash cymbal
Cons
- Its soft, dark sound may not suit a loud, sharp crash
91AudioFu
IndexStableno change since Aug 17Aug 17$378 now$378€339 at Thomann · in stockCheck price ↗ -
Istanbul Agop 20" Traditional Medium Crash Traditional
Traditional Crash Medium 20" · Istanbul Agop
4 for sale on Reverb1 finish at Thomann
- Size20"
- Weight1.7 kg
This is a 20-inch medium crash cymbal from the Traditional series, handmade in Turkey. It is made to hang rather than sit on a stand, so you will need a suitable mount. If you want a big, classic crash, this one is a solid pick.
Pros
- Handmade in Turkey, a traditional cymbal-making country
- 20-inch size gives a large, wide cymbal for crashes
- Medium crash weight suits a wide range of playing
Cons
- Built for suspended use, so it needs a stand or mount
78AudioFu
IndexStableno change since Aug 17Aug 17$479 now$479€429 at Thomann · in stockCheck price ↗ -
- Size16"
- Weight1 kg
This is a 16-inch orchestra crash cymbal from Sabian's AA Series. It is thin, and it gives a smooth, shimmering sound that stays effective at all volumes. It suits you if you play in an orchestra and want a crash cymbal that is light to handle.
Pros
- 16-inch size from Sabian's AA Series, an orchestra crash cymbal
- Thin build gives a smooth, shimmering sound
- Described as bright and effective at all volumes
68AudioFu
Index↓ 8.4%since Aug 17 · lowest so far$401 · Aug 17$367 now$367€329 at Thomann · in stockCheck price ↗ -
- Size18"
- Weight1.5 kg
This is an 18 inch orchestra crash cymbal from Sabian's AA Series. It is thin and gives a smooth, shimmering sound that stays bright at every volume. It suits you if you play in an orchestra and want a crash that shimmers rather than hits hard.
Pros
- AA Series cymbal from Sabian, a well-known cymbal maker
- Thin build gives a smooth, shimmering sound
- Sound stays bright and effective at all volumes
Cons
- Heavier than some crash cymbals, at about 1.5 kg
68AudioFu
Index↓ 7.0%since Aug 17 · lowest so far$479 · Aug 17$445 now$445€399 at Thomann · in stockCheck price ↗ -
- Size16"
This is a 16-inch thin crash made from B20 bronze and hand-hammered. If you want a dark, deep and soft sound from a hanging cymbal, you may like this one. It suits players who want a gentle crash rather than a loud, sharp one.
Pros
- Made from B20 bronze, a classic cymbal alloy
- Hand-hammered construction
- Dark, deep and soft sound character
79AudioFu
IndexStableno change since Aug 17Aug 17$307 now$307€275 at Thomann · in stockCheck price ↗ -
- Size18"
- Weight1.1 kg
This 18 inch Istanbul Agop Trad. Suspended Crash is a beautiful, nuanced cymbal perfect for orchestral settings, film scores, or anyone seeking a warm, classic crash sound. It’s got a lovely, complex wash and a shimmer that’s really pleasing – a great choice for players wanting a traditional, organic feel.
Pros
- Warm, complex wash with a shimmering high-end presence
- Hand-hammered lathing creates nuanced overtones and responsiveness
- Traditional finish retains a darker timbre and vintage aesthetic
Cons
- Limited dynamic range compared to brighter, modern suspended cymbals
- The traditional finish can be more prone to oxidation and requires care
63AudioFu
IndexStableno change since Aug 17Aug 17$367 now$367€329 at Thomann · in stockCheck price ↗ -
- Size18"
- Weight1.1 kg
This Pap.Thin crash is a beautifully delicate cymbal – a real gem for those seeking a bright, shimmering wash without excessive volume. It’s perfect for film scoring, solo percussion, or any situation where you need a nuanced, expressive crash. The thinness gives it a unique responsiveness that’s hard to find elsewhere.
Pros
- Exceptionally responsive wash, ideal for subtle dynamic swells
- Thin paper construction delivers a bright, airy shimmer
- Hand-hammered profile creates complex overtones and character
Cons
- Limited projection compared to heavier crash models
- Paper-thin nature demands careful handling to avoid damage
63AudioFu
IndexStableno change since Aug 17Aug 17$367 now$367€329 at Thomann · in stockCheck price ↗ -
- Size22"
- Weight2.2 kg
The Zultan 22” Orchestra Suspended is a solid choice for orchestral percussionists needing a dependable, warm cymbal. It’s well-built and provides a lovely, traditional Turkish sound that sits beautifully in a large ensemble. Perfect for those seeking a classic orchestral voice without a premium price tag.
Pros
- Warm, dark tone ideal for orchestral settings and film scores
- Traditional Turkish hammering creates complex overtones and shimmering wash
- Relatively lightweight for easy handling and mounting
Cons
- Limited sustain compared to some higher-end, thinner suspended cymbals
- Can be overly dark for brighter, more contemporary musical styles
63AudioFu
IndexStableno change since Aug 17Aug 17$372 now$372€333 at Thomann · in stockCheck price ↗ -
- Size20"
- Weight1.7 kg
The Zultan Heritage 20” is a solid choice for orchestral percussionists needing a reliable, warm suspended cymbal. It’s got a really pleasing, classic tone – not too bright, not too dry – and the build quality is decent for the price. Perfect for students or professionals needing a workhorse cymbal for traditional settings.
Pros
- Warm, dark tone ideal for orchestral passages and film scores.
- Turkish production ensures traditional hammering and lathing techniques.
- Relatively lightweight for a 20” suspended, easy to manage onstage.
Cons
- Heritage series lacks the complexity of Zultan’s higher-end lines.
- May require a dedicated stand due to its weight, even for its size.
63AudioFu
IndexStableno change since Aug 17Aug 17$423 now$423€379 at Thomann · in stockCheck price ↗ -
- Size24"
- Weight2.6 kg
The Zultan 24in Orchestra Suspended is a fantastic choice for orchestral percussionists needing a dark, warm, and musically versatile suspended cymbal. Its traditional construction gives it a lovely complexity that cuts through an ensemble without being overpowering – a real workhorse for classical and film scores.
Pros
- Warm, dark tone ideal for orchestral settings
- Traditional Turkish hammering creates complex overtones
- Solid bronze construction ensures durability and resonance
Cons
- Can be a bit dark for brighter, more contemporary styles
- Weight might require a sturdy cymbal stand
63AudioFu
IndexStableno change since Aug 17Aug 17$423 now$423€379 at Thomann · in stockCheck price ↗
All 41 hanging cymbals
Same index, same nightly prices — compact. Colour options of one model share a row. Tap a photo to zoom.
- 11
Istanbul Agop Trad. Suspended Crash 20"Istanbul Agop63Stable$479€429$479€429Check ↗
- 12
Meinl 16" Suspended CymbalMeinl62Stable$423€379$423€379Check ↗
- 13
Meinl 17" Suspended CymbalMeinl62Stable$434€389$434€389Check ↗
- 14
Meinl 18" Suspended CymbalMeinl62Stable$468€419$468€419Check ↗
- 15
Zultan 18" Heritage Orchestra Susp.Zultan63Stable$333€298$333€298Check ↗
- 16
Zildjian 17" K' Klassisch Symph. Susp.Zildjian54Stable$479€429$479€429Check ↗
- 17
Zildjian 18" K' Klassisch Symph. Susp.Zildjian54Stable$479€429$479€429Check ↗
- 18
Zultan 20" Orchestra SuspendedZultan63Stable$323€289$323€289Check ↗
- 19
Istanbul Agop Traditional Pap.Thin Crash 17"Istanbul Agop63Stable$323€289$323€289Check ↗
- 20
Istanbul Agop Trad. Suspended Crash 16"Istanbul Agop63Stable$300€269$300€269Check ↗
- 21
Zultan 19" Orchestra SuspendedZultan63Stable$300€269$300€269Check ↗
- 22
Istanbul Agop Traditional Pap.Thin Crash 16"Istanbul Agop63Stable$300€269$300€269Check ↗
- 23
Zultan 18" Orchestra SuspendedZultan63Stable$278€249$278€249Check ↗
- 24
Meinl 14" Suspended CymbalMeinl62Stable$269€241$269€241Check ↗
- 25
Sabian 18" HHX Suspended Crash Cymbal18" HHX Suspended · Sabian83↓ 7.6%$546€489$546€489Check ↗
- 26
Sabian 20" Artisan Traditional Symphonic Suspended Cymbal20" HHX Suspended · Sabian82Stable$680€609$680€609Check ↗
- 27
Sabian 20" AA Molto Symp. Susp. Orch.Sabian64Stable$556€498$556€498Check ↗
- 28
Sabian 16" Artisan Trad. Symp. Susp.Sabian64Stable$680€609$680€609Check ↗
- 29
Sabian 17" Artisan Trad. Symp. Susp.Sabian64Stable$744€666$744€666Check ↗
- 30
Sabian 18" Artisan Trad. Symp. Susp.Sabian64Stable$803€719$803€719Check ↗
- 31
Sabian 19" Artisan Trad. Symp. Susp.Sabian64Stable$881€789$881€789Check ↗
- 32
Sabian 20" Artisan Trad. Symp. Susp.Sabian64Stable$937€839$937€839Check ↗
- 33
Zultan 22" Heritage Orchestra Susp.Zultan63Stable$496€444$496€444Check ↗
- 34
Zultan 24" Heritage Orchestra Susp.Zultan63Stable$556€498$556€498Check ↗
- 35
Meinl 20" Suspended CymbalMeinl62Stable$579€519$579€519Check ↗
- 36
Meinl 22" Suspended CymbalMeinl62Stable$702€629$702€629Check ↗
- 37
Sabian 17" HHX Complex SuspendedSabian57Stable$546€489$546€489Check ↗
- 38
Sabian 19" HHX Complex suspendedSabian57Stable$646€579$646€579Check ↗
- 39
Zildjian 18" S Family Suspended MTZildjian55↓ 2.6%$171€153$171€153Check ↗
- 40
Zildjian 20" K' Klassisch Symph. Susp.Zildjian54Stable$535€479$535€479Check ↗
- 41
Zildjian 19" K' Klassisch Symph. Susp.Zildjian54Stable$546€489$546€489Check ↗
Hanging Cymbals by the numbers
Measured across all 41 models we track, not a sample.
Median $468 — half of all hanging cymbals here cost less.
median of 41 models · 16"–22"
median of 33 models · 0.9 kg–2.2 kg
How to choose the best hanging cymbals
Wash Response
This isn't just about how long the sound lingers; it's about how smoothly and musically the wash builds and decays. Intermediate players need something responsive enough to control, but with enough sustain to create interesting textures - too little and it's a choked mess, too much and you're fighting it.
Articulation & Definition
Hanging cymbals can easily turn into a muddy wash. You need some definition to bring out those individual bell tones and crisp attacks, especially if you're playing in a band where you need to cut through the mix. A good intermediate cymbal will find a balance - enough articulation to be clear, but not so much that it's brittle.
Dynamic Range
Can the cymbal respond to a whisper or a full-on assault? This is crucial for adding subtle accents or creating dramatic swells. A limited dynamic range will sound flat and lifeless, while a wide range allows for more expressive playing.
Weight & Action
Heavier cymbals generally have longer sustain and a more powerful wash, but they can be harder to control. Lighter cymbals are more responsive but might lack the depth you're looking for. The 'action' - how easily the cymbal moves - is also important for playability. A stiff cymbal can feel sluggish.
Timbre & Tone Color
This is subjective, but think about the overall sonic character. Do you want a dark, mellow wash or a brighter, more shimmering sound? Some cymbals have a 'fat midrange honk' that works well in rock or funk, while others are more suited for orchestral or world music.
Buying guide
Okay, so you're moving beyond the basic crash/ride setup and getting into the world of hanging cymbals? Smart move. They add a whole new dimension to your sound, from subtle washes to those shimmering, atmospheric swells. But choosing the right ones as an intermediate player isn't about just grabbing the biggest, most expensive things - it's about finding something playable and expressive that fits your style and budget. Let's dial in some solid options.
Don't chase the biggest sizes right away. Start with a 20-22" and a 24-26" - that'll give you a good range of sounds without overwhelming you. Be wary of super-cheap options; they often lack the musicality and responsiveness of better-made cymbals.
Look for cymbals that are hammered, not stamped - hammering creates a more complex and nuanced sound, but it also adds to the cost. It's a trade-off, but worth it if you want something that truly sings.
How the AudioFu Index works
Five measured signals and nothing else — no stars from strangers, no “tested by experts” we didn’t do. The weights are fixed and public. We don’t play these instruments; we measure the market around them.
This chart covers 41 hanging cymbals from the Thomann catalogue. Before you buy, read hands-on reviews and, where you can, play it. Full methodology.
AudioFu earns a commission when you buy through our Thomann links. It never changes the order — the index does.
- Demand40%
How many of this exact model are for sale on Reverb right now — what musicians actually buy and resell.
- Lineup20%
How many finishes Thomann stocks — makers expand the models that sell.
- Price15%
Where the price has moved since we started tracking in August.
- Specs15%
How completely the maker documents it.
- Maker10%
How deep the brand’s range is in this category.
Questions
What's the difference between a 'swish' and a 'wash' cymbal?
A 'swish' cymbal is designed for quick, articulate rolls and has a tighter, more focused sound. A 'wash' cymbal is broader and more atmospheric, perfect for creating sustained textures. Most intermediate players benefit from a wash, as it's more versatile.
Do I need a cymbal stand for hanging cymbals?
Absolutely. You'll need stands that can handle the weight and allow for free movement. Adjustable height is a plus, so you can experiment with placement.
Can I use a crash cymbal as a hanging cymbal?
Technically, yes, but it's not ideal. Crash cymbals are designed for shorter, more explosive sounds. Hanging them will likely result in a choked, unsatisfying wash. Dedicated hanging cymbals are hammered differently for a smoother, more sustained response.
What's the best way to dampen hanging cymbals?
Dampening is usually minimal. Experiment with felt or O-rings on the edges to control excessive sustain, but generally, you want to let them resonate. Too much dampening kills the magic.
How do I choose the right size hanging cymbal?
Larger sizes (28"+) create a more powerful, enveloping wash, while smaller sizes (20-24") are more responsive and easier to control. Start with a mid-range size (22-24") and adjust based on your needs and playing style.
