Preamps

• Optical compressor
• Variable attack and release
• Ratio of 1.5:1 to 10:1
• Equaliser band filter with 12 frequencies
• Adjustable gain from +20 dB to +70 dB
• Phantom Power
• Low cut filter

• Analogue microphone preamplifier
• Stereo
• Based on the well-known Class A preamp design with 3 band EQ: +/- 16 db
• High shelving 12 Khz, +/- 18 db mid with 6 switchable frequencies and fixed Q, +/- 16 db low shelving with 4 corner frequencies
• Exclusive Neve Marinair transformer for input/output
• Switchable insert path
• Design: 19"/ 2 U

• Frequency range: 20-20.000 Hz
• 11-Step amplification from 20 - 70 dB
• Peak-LED
• Phantom power +24 V switchable
• Microphone phase, switchable
• Low-Cut: 15-240 Hz, continuously adjustable
• Inputs: 2x XLR balanced
• Outputs: 2x XLR, 2x Cinch
• Dimensions: 116 x 55 x 135 mm
• Weight: 0,980 kg
• Incl. mains adapter

• No integrated circuits in the signal path
• Fully soldered, connectorless internal design
• Carnhill microphone input and line output transformers
• Classic 1073 style gain switch (23 positions)
• Switchable phantom power: +48 V
• AIR EQ (3/6 dB boost at approx. 30 kHz)
• High pass filter switchable (50, 80, 160, 300 Hz)
• Microphone / line / instrument combo input: XLR / jack 6.3 mm balanced
• Line output: XLR / jack 6.3 mm
• Insert: 6.3 mm jack
• Design: 9.5", 1U
• Incldues external power supply

• For dynamic and ribbon microphones
• Extremely low-noise Class A JFet amplifier
• 27 dB gain (@3 kOhm load)
• XLR 3-pin female to XLR 3-pin male
• 4 Coordinated JFets
• 6 dB/octave high pass filter with a corner frequency of 220 Hz

Note: Requires 24 - 48 V phantom power and does NOT transfer phantom power to the microphone.

• +25 dB for dynamic or passive ribbon microphones
• To be used in conjunction with a microphone amplifier with standard phantom power on mixers/preamplifiers/audio interfaces with mic input
• Requires phantom power
• 2 x XLR input and output
• Metal casing
• Band for fixing to microphone stand included

• Max. gain +76 dB
• +48V phantom power switchable
• PAD with -20dB attenuation
• Phase-rotation switch
• Mute switch
• Gain control
• Multi-colour signal status LED (green, yellow, red)
• Connections: Microphone input XLR, line output XLR
• Incl. external plug-in power supply 24V
• Design: Desktop

• Microphone / Instrument preamplifier
• Balanced / Unbalanced combi input (XLR / jack)
• Switchable phantom power for condenser microphones
• Level control for microphone input
• Headphone output
• Connection with Apple devices via 4-pin mini connector (analog)
• No battery required when used as instrument preamp
• 2x AA batteries required for microphone preamp and phantom power
• Two-track recording app from Tascam is available in the app store for free download
• Dimensions: 106 x 40 x 45 mm
• Weight: 87 g
• Compatible with: iPhone 3, iPhone 3GS, iPhone 4, iPod touch 1G, 2G, 3G, 4G, iPad 1G and 2G

• Based on the 1073
• Hand-wound Carnhill transformers
• Completely discreet, three-stage microphone preamp
• Amplification: 80 dB microphone and 50 dB line
• -20 dB pad
• LO-Z for switching the input impedance from 1200 to 300 Ohm
• HP filter at 80 Hz
• Completely discreet 3-band vintage EQ with induction coils
• Hi-Shelf filter at 12 kHz
• Mid-band, switchable between six operating frequencies and OFF
• Lo-shelf filter, switchable between four operating frequencies and OFF
• Coil-based high-pass filter, switchable between four operating frequencies and OFF
• Connections: XLR Microphone input
• XLR line input
• XLR line output
• Instrument input: 6.3 mm jack
• Switchable 48V phantom power
• External power supply unit included
• Build: 19" / 1 RU

• Ideal for vocals, drums, guitar etc.
• Mix of vintage sound and modern clarity
• Line and instrument input via jack sockets on the front, individually switchable for each channel
• IC-based input stage for modern transparent sound
• Output stage with Cinemag transformer
• Frequency range: 10 - 30,000 Hz
• Gain: 0 - 62dB continuously adjustable
• Switchable -10dB PAD
• Switchable phase reversal
• THD+N (@ +4dBu output): 0.0033% @ +10dBu gain; 0.0054% @ +24dBu gain, 0.027% @ +40dBu gain
• 2 Microphone inputs: XLR, balanced
• 2 Line/Hi-Z inputs: 6.3 mm jack
• 2 Outputs: 6.3 mm jack, balanced
• Headroom: 26 dB
• Phantom power: +48 V
• External 24VAC power supply
• Design: 1U at half rack width
• Mounted in standard 19-inch cases via attached rack ears
• Dimensions (L x W x H): 24 x 18 x 5 cm
• Weight: 1.9 kg

• Up to 71 dB gain
• Transformer bypass switch
• Two different discrete OpAmps: 1731 (Vintage) and 918 (Cleaner)
• Tone switch - switches the input impedance from 600 ohms to 150 ohms
• Hi-Z input sends the signal through the complete circuit
• Balanced outputs: XLR and 6.3 mm jack
• Insert: 6.3 mm jack
• 48V phantom power
• Format: 19"/ 1 HU

• Specially designed for acoustic guitars, but also very well suited for many other acoustic instruments
• Excellently suited in combination with the Pure pickups
• Special broadband center filter
• +/- 20 db bass
• Center and height controls
• Internal gain trimmer
• Frequency response: 10 - 30.000 Hz
• Bass control starts at 100 Hz
• Midrange filter from 1.5 kHz
• Altimeter controls at 10 kHz
• Input impedance: 1 MOhm
• Output impedance 10 kOhm
• Battery life: approx. 180 hours

• Mic / Line / DI with double signal path (Class-A tube and transimpedance solid state)
• Phase-aligned Twin-Finity blending (tube / solid state)
• Balanced output stage
• 70 dB + gain
• + 48V Phantom power
• Pad (- 15dB) phase reversal and low-cut filter (75Hz)
• Illuminated VU meter
• High-impedance input on the front (switched from mic/line)
• XLR microphone input on the rear, XLR line input and XLR line output
• Internal power supply
• Includes 19" rack kit

• Digitally controlled
• Integrated MADI / ADAT / DANTE connectivity
• SteadyClock FS
• Gain up to 75 dB for signals up to +18 dBu
• Signal-to-noise ratio 121.2 dB(A) on all channels
• Integrated routing matrix
• LCD display
• Design: 19" 1HE

Connectors:

• 4 x Mic/line/instrument combo input XLR/jack: 6.3 mm
• 8 x Mic/line input XLR
• 3 x ADAT output
• MADI BNC input and output, MADI optical via optional SFP modules
• 2 x Gigabit Ethernet (802.3 compliant)
• Word clock input and output
• 1 x Stereo headphone output: 6.3 mm jack
• Connection for redundant power supply

• Class A tube preamp
• Compressor / expander / de-esser / gate
• 4-Band semiparametric EQ with cut / boost switching pre or post compressor switchable
• Frequency response: 12 - 100000 Hz analog
• Sampler data: 44.1 - 192 kHz
• Digital Connections: ADAT
• S / PDIF optical / coaxial
• AES / EBU and USB
• Word Clock I / O
• Analogue Connections: MIC / Line / Instrument-Input XLR-combo
• Input: 6.3 mm jack
• Balanced output XLR and 6.3 mm jack
• Mic-Preamp Out 6.3 mm jack
• VU meter
• Format: 19"/ 2U
• Dimensions (H x W x D): 88.9 x 483 x 233 mm
• Weight: 4.7 kg

• For dynamic and ribbon microphones
• Extremely low-noise Class A JFet amplifier
• 27 dB gain (@3 kOhm load)
• XLR 3-pin female to XLR 3-pin male
• 4 Coordinated JFets

Note: Requires 24 - 48 V phantom power and does NOT transfer phantom power to the microphone.

• The original circuit of the legendary UA 610 console with the same warm preamp sound
• Gain and Level controls for controlling the tube saturation
• 48V Phantom power
• Phase reverse
• Selectable input impedance
• Additional DI instrument input