Preamps

• With insert points and A/D converter
• 2 Hi-Z Class-A instrument inputs for guitar/bass
• 8 Inserts
• Burr Brown based AD converter technology
• Converter dynamic range: 113 dB unweighted
• High pass filter and input impedance variable
• Fanless power supply
• Design: 19" / 1 U
• Includes licence for comprehensive Audient ARC download software package (licence after product registration); the download package includes products from the following companies: Eventide, Steinberg, LANDR and Producertech - Audient is responsible for the validity and scope of delivery of the software package

• Classic 1073 preamplifier design
• Half rack housing
• Input and output transformer from Cinemag
• Hi-Z input on the front side
• Phase reversal and 18 dB pad switch
• Stepped gain control
• Up to 70 dB gain
• Switchable 48 V phantom power
• Variable output control
• Inputs: 1x XLR (balanced), 1x jack (unbalanced)
• Output: 1x Jack (balanced)
• External power supply
• Height: 1 U
• Width: 9.5" (rack mount possible)
• Weight: 1.4 kg

• Discrete Class A circuit
• Carnhill transformer
• 80 dB gain
• Incremented potentiometer
• Tone button for switching the input impedance
• Switch for phase reversal
• Low-cut filter 4-step switchable (50, 80, 160, 300 Hz)
• LED meter
• 48V Phantom power
• XLR microphone input
• Line input: 6.3 mm jack
• Instrument input: 6.3 mm jack
• Insert input and output: 6.3 mm jack
• Line output: XLR and 6.3 mm jack
• Integrated power supply unit (115/230 V)
• Build: 19" / 1 U

• Compact preamplifier for high-impedance instruments and dynamic and ribbon microphones
• Up to 25 dB crystal clear gain for microphones and 12 dB gain for instruments
• Variable gain control in three steps: Min, More, Max
• Variable input impedance from 150 ohms to 15k ohms
• Variable high-pass filter from 20 Hz to 200 Hz
• No voltage is passed on connected microphones, sensitive ribbon microphones are accordingly protected against damage
• Uses a patented, discreet Class-A circuit
• Works with phantom power
• Neutrik XLR combination input
• XLR output
• Robust, roadworthy quality

• Lundahl LL1538 mic input transformer
• Up to 80 dB gain
• Variable input impedance
• High-pass filter with variable cut-off
• 2x XLR mic inputs
• 2x Line inputs, 6.3 mm jack
• 2x Instrument inputs, 6.3 mm jack
• Insert per channel
• Line out XLR
• LED meter per channel
• Switchable phantom power: 48V
• Internal power supply
• 19", 1 U

• Classic API circuit design
• API 2520 OP amplifier
• Switchable per channel: 3:1 output transformer selection, +48V phantom power, -20 dB pad, polarity
• LED meter and adjustable gain and output volume per each channel
• Stereo panner with a level control
• Aux send (post fader)
• 4 Inputs: XLR
• 4 Hi-Z inputs: 6.3 mm jack
• 4 Outputs: XLR
• Construction: 19" / 1U

• Classic API circuit design
• API 2520 output amplifier
• AP2516 input amplifier
• Fixed frequency HP filter
• Max. 68dB of gain
• Phantom power: +48V
• -20 dB Pad and polarity switch
• VU meter
• Peak LED
• Switch for 3:1 output amplifier tap selection
• Variable output control
• 2 Mic/Line Hi-Z combo inputs: XLR/jack 6.3 mm
• 2 Mic inputs: XLR
• 2 Line outputs: XLR
• Design: 19" / 1U
• Dimensions (W x H x D): approx. 48.26 x 4.44 x 27.94 cm
• Weight: approx. 4.08 kg

The Chandler TG2 mic preamp has evolved into the classic studio standard for microphone recordings of electric guitars in recent years. Both dynamic (e.g. Shure SM57, Sennheiser e906) as well as condenser microphones (Neumann U87, U47) or ribbon mics (Royer 121) can record a punchy, differentiated and noble guitar sound meeting the highest demands, which is present and dominant in the mix from the beginning.

The TG2 is also suitable as a preamp for bass drum and snare giving those instruments the punch and aggressive timbre known from countless records.

As vocal preamp it is suitable especially with the Shure SM58 for rock-like and loud vocalists who want to be heard. That is why the TG2 mic preamp can be found in all the major studios and is used by celebrities like Michael Brauer (Coldplay) and Michael Wagner (King's X Metallica) on a daily basis. Anyone looking for an "all-rounder" mic preamp for rock music will find it with the TG2.

• Requires optional power supply PSU-1 Art. 194566 (not included), connection cable to the power supply is included

The sound quality of the two-channel device is shown to its best effect when particularly recording vocals or acoustic instruments. High precision and naturalness help every vocal timbre to develop fully and emphasise the sound character of acoustic instruments. Since even the differences of the used microphones are shown clearly up to the finest nuances, the Goldmike gives a lot of room to experiment.

The lively sound quality and extreme low noise predestine the Goldmike for digital recording. The dual-mono construction of the class A tube amp guarantees a perfect channel separation and thus enables high spatial imaging for stereo recordings from piano to choir.

With the Goldmike reinforcements up to 72 dB are possible. A full tube preamp can’t reach those values. The tube/ IC design of SPL, however, combines the tonal qualities of tubes (improved spatial imaging, high in detail, pleasant soft focus) with high, very linear amplification performance and excellent common mode rejection. Thus the Goldmike is the perfect pre amp, even for high-end HD recording, as the dynamic range of 111 dBu proves: This value is above the, in practice, achieved values of 24-bit recording.

Equipment: The FLAIR circuit enhances the presence and clarity of the signal and allows sound optimisation while recording in particular for voices.

In addition, the Goldmike has a high pass filter at 50 Hz, phase reverse switch, 30 dB pad, 48 V phantom power with separately filtered power supply, high quality Alps potentiometers, crackle-free switches, five LEDs for each channel, two illuminated VU meters, star point grounding for best sound quality, thick conductors for stable voltage supply, a complex filtered power supply (6000 µF in the main power supply, 400 µF in tube power supply), symmetrical XLR inputs and outputs as well as unbalanced jack outputs. The ground-lift circuit helps to avoid ground loops.

• Dynamic Range 111 dB
• Reinforcements to 72 dB
• Two separate mono pre amplifiers
• Suitable especially for HD recording
• 48V phantom power
• Phase reverse switch
• Pad function
• Low cut filter and "FLAIR" circuit
• Improved vocal presence
• Very clear, warm sound
• XLR Mic input
• XLR Line out symmetrical, 6.3 mm jack unbalanced line out
• 19" Rackmount 2U

• +25 dB for dynamic or passive ribbon microphones
• To be used in conjunction with a microphone amplifier with standard phantom power on mixers/preamplifiers/audio interfaces with mic input
• Requires phantom power
• XLR input and output
• Metal casing
• Band for fixing to microphone stand included

• For microphone - instrument Hi-Z and line signals (transformer-based)
• 4 Line outputs
• Variable input impedance
• Per channel: phantom power, insert, phase reverse and variable high-pass filter (16 - 420 Hz)
• 6-Segment LED display
• Optionally upgradeable with: 24 bit 192 kHz 8-channel AD converter card
• Dimensions: 19"/ 2U

• No integrated circuits used in the signal path
• Max. 70 dB mic gain
• Switchable high-pass filter (off / approx. 40 Hz / approx. 170 Hz)
• 2-Stage switchable Air EQ (boost by 3 or 6 dB at 30 kHz)
• Phantom power: +48V
• Switchable phase
• Microphone input: XLR/jack 6.3 mm combo
• Hi-Z input for guitar/bass: 6.3 mm jack
• Line output: XLR/jack 6.3 mm combo
• Design: Desktop Format
• Incl. an external power supply

• XLR and jack inputs/ outputs
• Clip display
• External power supply
• Phantom power (+21 V)

• Channel strip with tube input stage
• Compressor
• 3-Band EQ and limit section
• 48 V phantom power
• 120 Hz high pass filter
• Phase Invert
• Compressor: ELOP technology
• Ratio 3: 1
• Silent bypass switch
• Variable attack, release and threshold
• EQ: low and high Baxandall shelves (80Hz and 12kHz) with ± 12dB range
• Sweepable Midrange Bell EQ (100Hz - 1kHz) or (1kHz - 10kHz) with ± 10dB range
• Limiter: FET brickwall limiter
• Peak Limit LED
• 10 dB range output gain control
• Large illuminated VU meter
• Connections: XLR Mic input balanced
• XLR line input balanced
• Instrument input 6.3 mm jack
• Insert 6.3 mm jack
• XLR Direct output balanced
• XLR Main output balanced
• Format: 19" 2U

• Digitally controlled
• With compressor
• Extremely low inherent noise
• Instrument input with automatic switching
• 48 V phantom power
• Transition from processed material to unprocessed material (dry / wet)
• Frequency range from 3 Hz to 200 kHz (without KompSat) 3 Hz to 150 kHz (with KompSat)
• Maximum output +22 dBu
• Input impedance 600 Ohm
• Output impedance less than 38 Ohm
• Design: 19" / 1 U

• 2-Channel
• Large bandwidth from 10 to 200,000 Hz for "open" sound
• Mic / Line switchable
• Phantom power 48 V
• Tunable Hi and Lo Cut
• Phase reverse
• Adjustable output level (VU meter)
• Inputs and outputs: Balanced XLR / jack
• Design: 19"/ 1U

• Gain: 25 dB
• Phantom power: 48 V
• 2 XLR inputs / outputs
• Frequency range: 10 - 20,000 Hz (± 1 dB)
• Dimensions: 65 x 39 x 85 mm
• Weight: 0.37 kg